Art
Old notes
- [2025-08-08 Fri 01:16] Disabling this page again. Sorry if you were redirected from an art-related link, but that's just too messy to host on my small website. If I ever have the time, I will work on making it exportable.
- [2025-07-21 Mon 23:25] You can also click on an image to open it in a new tab. This can be helpful if the lazyloader makes the image appear in a late stage (so you will see a gray loader instead of it). The page size is big because it loads a lot of images. I got this feedback from IRC, but the whole purpose of this page, as mentioned before, is only for personal reference.
- [2025-07-19 Sat 21:16] Sometimes I find myself continually questioning the fundamental purpose of art and beauty. That tension becomes especially pronounced when I consider how the same aesthetic principles that govern a Bach fugue or a neoclassical building also manifest in engineering: the graceful curve of a suspension bridge's cables, the elegant logic of a well-designed algorithm, or the satisfying economy of a mechanical solution that achieves maximum effect with minimal means. Paul Graham's observations in "Hackers and Painters" about the fundamental similarity between engineering and painting suggest that perhaps what we call beauty is actually our recognition of deeper structural harmonies—patterns that reveal themselves whether we're contemplating the mathematical relationships in a Mozart sonata, the load distribution in a cathedral's flying buttresses, or the recursive elegance of a piece of code that solves a complex problem with startling simplicity. This leads me to wonder whether aesthetic experience represents not mere decoration or distraction from reality, but rather our most direct method of perceiving the underlying order that governs natural and human-made systems alike. Maybe that's a TODO to discuss in a post later. Or a wondering thought that will die with me.
- [2025-07-17 Thu 20:59] I updated the page to include lazy-loading and collapsed all the headings by default, you will have to click them to get them folded. This will require JS to run (for some reason, lazy-loading is not working properly on some mobile phones)
[2025-07-16 Wed 05:59]: Some artist are only partially included here, because I absolutely adore every work of them, and I find it unnecessary to include each. As of now, these are:
- Thomas Cole
- [2025-05-09 Fri 04:59] This part is currently available. It used to be marked as a private note. I'm making it available now just for the case of the references I might use in my blog. I plan some day to turn this page into a more pleasant-to-browse website.
- [2024-02-17 Sat 23:47] I'm a bit confused of how to write my notes on the images, including the artist metadata and my points, in an unstructured data format (plaintext) but still, make it easy for me when the day comes and I want to process this data. Maybe I just should go intuitively?
- [2024-02-17 Sat 23:30] I've been thinking of building a PKMS-like software but for managing my art collections. By now, I'm considering just maintaining them on this node. Thus, here you can find my favorite paintings and my notes on them.
People
TODO Pierre Patel
Edward Poynter
John Brett
John William Waterhouse
Evelyn De Morgan
Joseph Noel Paton
John Roddam Spencer Stanhope
Ivan Aivazovsky
Benjamin West
Emile Claus
John Constable
William Ashford
Carl Aagaard
Alexey Bogolyubov
Jean-Joseph-Xavier Bidauld
Peter Paul Rubens
Knud Baade
Gustav Pope
Jacques Clement Wagrez
Walter Crane
Francesco Albani
Jacques Stella
Joachim Wtewael
Anselm Feuerbach
Joseph Hauber
Mattia Preti
Battistello Caracciolo
Guido Reni
Domingos Sequeira
Giulio Cesare Procaccini
Giulio Cesare Procaccini was an Italian painter and sculptor of the early Baroque era in Milan.
Reza Abbasi
Giuseppe Abbati
Edwin Austin Abbey
Oswald Achenbach
Eduard Quitton
Albrecht Adam
His paintings make me want to play Assassin's Creed again.
Sir Lawrence Alma-Tadema
Arnold Böcklin
Nicolai Abildgaard
Jacques-Laurent Agasse
Mariotto Albertinelli
Domenico Ghirlandaio
Denis van Alsloot
Jurriaan Andriessen
Alexandre Antigna
Sandro Botticelli
William-Adolphe Bouguereau
William-Adolphe Bouguereau Motherhood Paintings
Bouguereau early competitions
- [2025-06-13 Fri 14:13] This video: https://youtu.be/8qA5g4Evg5I mentions something very interesting, that William Bouguereau won a prize for a figure painting in the École des beaux-arts de Bordeaux, although his practice was only two hours in the morning, compared to his peers who were full-time students.
Frederic William Burton
Alexandre Cabanel
Frederic Edwin Church
DONE Thomas Cole
- [2025-07-16 Wed 17:48] I need to schedule meditating his works for a full day.
Jean-Baptiste Camille Corot
Hermann David Salomon Corrodi
Gustave-Claude-Etienne Courtois
Thomas Couture
Frank Cadogan Cowper
TODO Louis-Philippe Crépin
Jasper Francis Cropsey
Charles Courtney Curran
Pietro da Cortona
Gustav Klimt
Pellizza da Volpedo
TODO Giovanni Segantini
Johan Christian Dahl
Charles-Francois Daubigny
Jacques-Louis David
TODO Nicolas Poussin
Pierre-Henri de Valenciennes
Edouard Debat-Ponsan
Joseph DeCamp
Frank Dicksee
Thomas Francis Dicksee
Gustave Dore
Josef Danhauser
TODO Leon Bonnat
TODO Alexander Louis Leloir
TODO Maxfield Parrish
Herbert James Draper
Asher Brown Durand
Jules Dupre
Frederic Leighton
Pierre-Narcisse Guérin
Jean-François-Pierre Peyron
Guillaume Guillon-Lethière
John William Godward
Artemisia Gentileschi
Henry Brown Fuller
Angelica Kauffman
The Swiss-born artist Angelica Kauffman was a neoclassical superstar, “the first artist of European rank” in her time, she trained in Italy with her painter father and by the 1770s had conquered London’s art world, becoming one of the Royal Academy’s founding members. In this time of her life in Britain, Kauffmann painted an imaginative series known as Cupid and the Graces: six oval paintings from the late 1770s, that's like her late 20s or early 30s, showing the god of Love hilariously up against the Three Graces are goddesses of beauty, joy and splendor, respectively, and Kauffmann used them to spin a witty mythological drama of Cupid’s tricks and their sweet revenge. I didn't see a lot of commentary on this intriguing series of art by her on the internet, and I thought it deserves a bit of attention.
I believe that the mythic backstory comes from an Italian poem: Pietro Metastasio’s 1735 libretto Le Grazie Vendicate (“The Graces Avenged”). In Metastasio’s tale the Graces – attendants of Venus – decide Cupid has misbehaved one too many times, and they swear off helping Venus spread love. Kauffmann distills this spirited story into engaging tableaux. She portrays mythic figures with a distinctly 18th-century charm: idealized, softly lit forms dressed in classical drapery, posed like antique sculptures. In fact, Kauffmann’s sleeping Aglaia was inspired by the famous Sleeping Ariadne statue (a 2nd‑century B.C. Roman copy) held in the Vatican
“Cupid Ties One of the Graces to a Tree” (c.1777): In this scene Cupid finds the beautiful Grace Aglaia asleep in a laurel grove. With a cheeky grin he loops a chain of roses around her wrists and ties her to the tree. Kauffmann clearly took inspiration from the Metastasio libretto here – the text describes exactly this prank (“While she was asleep… Cupid bound her to a laurel tree with chains of woven roses”).
“Cupid Disarmed by the Graces”: In another picture (sometimes titled Cupid Will No Longer Seduce Hearts), the tables turn. The clever Grace Euphrosyne has snatched Cupid’s bow and arrow and holds them up high, laughing as the love-god begs for his weapons back. Here Kauffmann shows off her talent for expression: Euphrosyne’s amused face and body language say it all. The engraving after this scene was called Cupid Disarm’d by Euphrosine, and her confident, smirking pose looks every inch the goddess of mirth (Joy) triumphing over her prankster.
Mary Moser
Joseph Wright
Pompeo Batoni
Alexandre Charles Guillemot
Vincenzo Camuccini
John Everett Millais
William Holman Hunt
Dante Gabriel Rossetti
Marie Spartali Stillman
TODO Parable of the Good Samaritan next Robert Bateman
TODO Read
CLOCK: [2025-05-04 Sun 05:09]–[2025-05-04 Sun 05:17] => 0:08
https://archive.org/details/7_20200325_20200325
Sir Lawrence Alma-Tadema 9 / 217 The Death of Hippolytus (1860)
https://www.wikiart.org/en/Alphabet/a/text-list
TODO History painting - Wikipedia
CLOCK: [2025-12-04 Thu 23:11]–[2025-12-04 Thu 23:13] => 0:02