Art

Old notes

  • [2025-08-08 Fri 01:16] Disabling this page again. Sorry if you were redirected from an art-related link, but that's just too messy to host on my small website. If I ever have the time, I will work on making it exportable.
  • [2025-07-21 Mon 23:25] You can also click on an image to open it in a new tab. This can be helpful if the lazyloader makes the image appear in a late stage (so you will see a gray loader instead of it). The page size is big because it loads a lot of images. I got this feedback from IRC, but the whole purpose of this page, as mentioned before, is only for personal reference.
  • [2025-07-19 Sat 21:16] Sometimes I find myself continually questioning the fundamental purpose of art and beauty. That tension becomes especially pronounced when I consider how the same aesthetic principles that govern a Bach fugue or a neoclassical building also manifest in engineering: the graceful curve of a suspension bridge's cables, the elegant logic of a well-designed algorithm, or the satisfying economy of a mechanical solution that achieves maximum effect with minimal means. Paul Graham's observations in "Hackers and Painters" about the fundamental similarity between engineering and painting suggest that perhaps what we call beauty is actually our recognition of deeper structural harmonies—patterns that reveal themselves whether we're contemplating the mathematical relationships in a Mozart sonata, the load distribution in a cathedral's flying buttresses, or the recursive elegance of a piece of code that solves a complex problem with startling simplicity. This leads me to wonder whether aesthetic experience represents not mere decoration or distraction from reality, but rather our most direct method of perceiving the underlying order that governs natural and human-made systems alike. Maybe that's a TODO to discuss in a post later. Or a wondering thought that will die with me.
  • [2025-07-17 Thu 20:59] I updated the page to include lazy-loading and collapsed all the headings by default, you will have to click them to get them folded. This will require JS to run (for some reason, lazy-loading is not working properly on some mobile phones)
  • [2025-07-16 Wed 05:59]: Some artist are only partially included here, because I absolutely adore every work of them, and I find it unnecessary to include each. As of now, these are:

    • Thomas Cole
  • [2025-05-09 Fri 04:59] This part is currently available. It used to be marked as a private note. I'm making it available now just for the case of the references I might use in my blog. I plan some day to turn this page into a more pleasant-to-browse website.
  • [2024-02-17 Sat 23:47] I'm a bit confused of how to write my notes on the images, including the artist metadata and my points, in an unstructured data format (plaintext) but still, make it easy for me when the day comes and I want to process this data. Maybe I just should go intuitively?
  • [2024-02-17 Sat 23:30] I've been thinking of building a PKMS-like software but for managing my art collections. By now, I'm considering just maintaining them on this node. Thus, here you can find my favorite paintings and my notes on them.

People

TODO Pierre Patel

Edward Poynter

John Brett

John William Waterhouse

Evelyn De Morgan

Joseph Noel Paton

John Roddam Spencer Stanhope

Ivan Aivazovsky

Benjamin West

Emile Claus

John Constable

William Ashford

Carl Aagaard

Alexey Bogolyubov

Jean-Joseph-Xavier Bidauld

Peter Paul Rubens

Knud Baade

Gustav Pope

Jacques Clement Wagrez

Walter Crane

Francesco Albani

Jacques Stella

Joachim Wtewael

Anselm Feuerbach

Joseph Hauber

Mattia Preti

Battistello Caracciolo

Guido Reni

Domingos Sequeira

Giulio Cesare Procaccini

Giulio Cesare Procaccini was an Italian painter and sculptor of the early Baroque era in Milan.

Reza Abbasi

Giuseppe Abbati

Edwin Austin Abbey

Oswald Achenbach

Eduard Quitton

Albrecht Adam

His paintings make me want to play Assassin's Creed again.

Sir Lawrence Alma-Tadema

Arnold Böcklin

Nicolai Abildgaard

Jacques-Laurent Agasse

Mariotto Albertinelli

Domenico Ghirlandaio

Denis van Alsloot

Jurriaan Andriessen

Alexandre Antigna

Sandro Botticelli

William-Adolphe Bouguereau

William-Adolphe Bouguereau Motherhood Paintings

Bouguereau early competitions

  • [2025-06-13 Fri 14:13] This video: https://youtu.be/8qA5g4Evg5I mentions something very interesting, that William Bouguereau won a prize for a figure painting in the École des beaux-arts de Bordeaux, although his practice was only two hours in the morning, compared to his peers who were full-time students.

Frederic William Burton

Alexandre Cabanel

Frederic Edwin Church

DONE Thomas Cole   @check

  • [2025-07-16 Wed 17:48] I need to schedule meditating his works for a full day.

Jean-Baptiste Camille Corot

Hermann David Salomon Corrodi

Gustave-Claude-Etienne Courtois

Thomas Couture

Frank Cadogan Cowper

TODO Louis-Philippe Crépin

Jasper Francis Cropsey

Charles Courtney Curran

Pietro da Cortona

Gustav Klimt

Pellizza da Volpedo

TODO Giovanni Segantini

Johan Christian Dahl

Charles-Francois Daubigny

Jacques-Louis David

TODO Nicolas Poussin

Pierre-Henri de Valenciennes

Edouard Debat-Ponsan

Joseph DeCamp

Frank Dicksee

Thomas Francis Dicksee

Gustave Dore

Josef Danhauser

TODO Leon Bonnat

TODO Alexander Louis Leloir

TODO Maxfield Parrish

Herbert James Draper

Asher Brown Durand

Jules Dupre

Frederic Leighton

Pierre-Narcisse Guérin

Jean-François-Pierre Peyron

Guillaume Guillon-Lethière

John William Godward

Artemisia Gentileschi

Henry Brown Fuller

Angelica Kauffman

The Swiss-born artist Angelica Kauffman was a neoclassical superstar, “the first artist of European rank” in her time, she trained in Italy with her painter father and by the 1770s had conquered London’s art world, becoming one of the Royal Academy’s founding members. In this time of her life in Britain, Kauffmann painted an imaginative series known as Cupid and the Graces: six oval paintings from the late 1770s, that's like her late 20s or early 30s, showing the god of Love hilariously up against the Three Graces are goddesses of beauty, joy and splendor, respectively, and Kauffmann used them to spin a witty mythological drama of Cupid’s tricks and their sweet revenge. I didn't see a lot of commentary on this intriguing series of art by her on the internet, and I thought it deserves a bit of attention.

I believe that the mythic backstory comes from an Italian poem: Pietro Metastasio’s 1735 libretto Le Grazie Vendicate (“The Graces Avenged”). In Metastasio’s tale the Graces – attendants of Venus – decide Cupid has misbehaved one too many times, and they swear off helping Venus spread love. Kauffmann distills this spirited story into engaging tableaux. She portrays mythic figures with a distinctly 18th-century charm: idealized, softly lit forms dressed in classical drapery, posed like antique sculptures. In fact, Kauffmann’s sleeping Aglaia was inspired by the famous Sleeping Ariadne statue (a 2nd‑century B.C. Roman copy) held in the Vatican

“Cupid Ties One of the Graces to a Tree” (c.1777): In this scene Cupid finds the beautiful Grace Aglaia asleep in a laurel grove. With a cheeky grin he loops a chain of roses around her wrists and ties her to the tree. Kauffmann clearly took inspiration from the Metastasio libretto here – the text describes exactly this prank (“While she was asleep… Cupid bound her to a laurel tree with chains of woven roses”).

“Cupid Disarmed by the Graces”: In another picture (sometimes titled Cupid Will No Longer Seduce Hearts), the tables turn. The clever Grace Euphrosyne has snatched Cupid’s bow and arrow and holds them up high, laughing as the love-god begs for his weapons back. Here Kauffmann shows off her talent for expression: Euphrosyne’s amused face and body language say it all. The engraving after this scene was called Cupid Disarm’d by Euphrosine, and her confident, smirking pose looks every inch the goddess of mirth (Joy) triumphing over her prankster.

Mary Moser

Joseph Wright

Pompeo Batoni

Alexandre Charles Guillemot

Vincenzo Camuccini

John Everett Millais

William Holman Hunt

Dante Gabriel Rossetti

Marie Spartali Stillman

TODO Parable of the Good Samaritan next Robert Bateman   @check @later

TODO Read   @read

CLOCK: [2025-05-04 Sun 05:09]–[2025-05-04 Sun 05:17] => 0:08

https://archive.org/details/7_20200325_20200325

Sir Lawrence Alma-Tadema 9 / 217 The Death of Hippolytus (1860)

https://www.wikiart.org/en/Alphabet/a/text-list

TODO History painting - Wikipedia   @idea

CLOCK: [2025-12-04 Thu 23:11]–[2025-12-04 Thu 23:13] => 0:02